峴港占族雕刻藝術博物館
在那裡
Founded in 1915 by the École Française d'Extrême Orient, it houses a collection of stone sculptures from the Hindu-practicing Cham civilization, which occupied much of central Vietnam in the first millennium CE to about the 14th century. The museum can be toured in about an hour. The sculptures are nearly all made of sandstone, and some have weathered badly over the centuries, but you can still appreciate the delightful artistic quality of the figures, which include shiva, garudas, nagas, lions, monkeys, and elephants. The collection also includes striking examples of the ancient Hindu icons of fertility: lingam altars decorated around the sides with rows of breasts. The sculptures were mostly removed from the facades or interiors of Cham ruins (which would have been looted otherwise.) The ruins themselves, such as nearby My Son, now tend to be crumbling piles of bricks and somewhat disappointing, giving little sense of the spectacular artwork produced by the Cham civilization. Any visit to My Son should be paired with a visit to the Cham Museum. The collection is also interesting to compare with Balinese sculpture and the early, Hindu phase of Angkor Wat in Cambodia. The museum was given a makeover in 2019, but post-COVID the souvenir shop, cafe, interactive displays, and even the air-con has been switched off. Arrive early to beat the heat, and beware of the awkward 2.5-hour siesta during the middle of the day.
它的故事
峴港占族雕刻博物館,位於越南峴港市福寧坊,主要收藏、保護、陳列7世紀至15世紀的占婆雕刻藝術品,是越南乃至世界最大的占婆主題博物館。博物館始建於1915年,開放於1919年,最初是由法國遠東學院出資規劃維護。